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药头 The Connection

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  • 主演:Barbara Winchester Barbara Winchester<br,Jerome Raphael Jerome Raphael<br,Freddie Redd Freddie Redd<br,威廉·雷德菲尔德,Henry Proach Henry Proach<br,Jackie McLean Jackie McLean<br
  • 导演: 雪莉·克拉克 / Shirley Clarke地区:美国   类型:电影
  • 简介:

剧情介绍

简介:译  名 药头
片  名 The Connection
年  代 1961
产  地 美国
类  别 剧情
语  言 英语
上映日期 1961-05(戛纳电影节)
豆瓣链接 https://movie.douban.com/subject/1477195/
片  长 110 分钟
导  演 雪莉·克拉克 / Shirley Clarke
演  员 Barbara Winchester Barbara Winchester
      Jerome Raphael Jerome Raphael
      Freddie Redd Freddie Redd
      威廉·雷德菲尔德 / William Redfield
      Henry Proach Henry Proach
      Jackie McLean Jackie McLean
      卡尔·李 / Carl Lee
      罗斯科·李·布朗尼 / Roscoe Lee Browne
      华伦芬纳蒂 / Warren Finnerty
编  剧 杰克·盖尔伯 / Jack Gelber
制  片  人 Lewis M. Allen Lewis M. Allen
      雪莉·克拉克 / Shirley Clarke
音  乐 Freddie Redd Freddie Redd
摄  影 Arthur J. Ornitz Arthur J. Ornitz
剪  辑 雪莉·克拉克 / Shirley Clarke
美  术 艾尔伯特·布伦纳 / Albert Brenner
      理查德·希尔伯特 / Richard Sylbert
服  装 鲁斯·莫利 / Ruth Morley

简  介 

  THE CONNECTION is one of the most vital, fascinating films of the American independent world. Created by a woman director, Shirley Clarke, at a time when they were in very short supply, the film shattered stereotypes in just about every conceivable way. And yet, the film remained unseen for many years.
  The Connection was a play within a play within a jazz concert. It portrayed a group of drug addicts, some of them jazz musicians, waiting in a New York loft apartment for their drug connection. A producer and a writer, meanwhile, have entered their lives to study them and write a play about them. The brilliantly written Beat dialogue was blended with jazz music written by the great pianist Freddie Redd.
  Clarke changed the character of the writer to Jim Dunn, a young, preppy filmmaker out to make a name for himself by documenting the "scene." As Clarke was best friends with the hot new indie directors, she added a level of humor by poking fun at the cinema verité movement. She also chose to keep the play's one-set constriction, but she combined the French New Wave’s mobile camera with a whirling choreography of movement and jazz to create an exciting, kinetic film that was acclaimed at the Cannes International Film Festival as a masterpiece. Yet even knowing the avant garde nature of the play and her film, little could Clarke recognize the furor the film was about to create.

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